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Rhetorica In Motion


Author : Eileen E Schell
language : en
Publisher: University of Pittsburgh Pre
Release Date : 2010-01-31


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Rhetorica in Motion is the first collected work to investigate feminist rhetorical research methods in both contemporary and historical contexts. The contributors analyze the decision-making processes and methodologies employed in deciphering the origins, meanings, theories, workings, and manifestations of feminist rhetoric. The volume examines familiar themes, such as archival, literary, and online research, but also looks to other areas of rhetoric, such as disability studies; gerontology/aging studies; Latina/o, queer, and transgender studies; performance studies; and transnational feminisms in both the United States and larger geopolitical spaces. Rhetorica in Motion incorporates previous views of feminist research, outlines a set of principles that guides current methods, and develops models for undertaking future inquiry, including working as individuals or balancing the dynamics of group research. The text explores how feminist research embodies what has come before and reflects what researchers, institutions, and instructors bring to it and what it brings to them. Underlying the discovery of this volume is the understanding that feminist rhetoric is in constant motion in a dynamic that resists definition.

Reclaiming Rhetorica


Author : Andrea A. Lunsford
language : en
Publisher: University of Pittsburgh Pre
Release Date : 1995-04


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Women's contribution to rhetoric throughout Western history, like so many other aspects of women's experience, has yet to be fully explored. In pathbreaking discussions ranging from ancient Greece, though the Middle Ages and the Renaissance, to modern times, sixteen closely coordinated essays examine how women have used language to reflect their vision of themselves and their age; how they have used traditional rhetoric and applied it to women's discourse; and how women have contributed to rhetorical theory. Language specialists, feminists, and all those interested in rhetoric, composition, and communication, will benefit from the fresh and stimulating cross-disciplinary insights they offer.

Feminist Rhetorical Practices


Author : Jacqueline Jones Royster
language : en
Publisher: SIU Press
Release Date : 2012-02-10


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From two leading scholars in the field comes this landmark assessment of the shifting terrain of feminist rhetorical practices in recent decades. Jacqueline Jones Royster and Gesa E. Kirsch contend the field of rhetorical studies is being transformed through the work of feminist rhetoricians who have brought about notable changes in who the subjects of rhetorical study can be, how their practices can be critiqued, and how the effectiveness and value of the inquiry frameworks can be articulated. To contextualize a new and changed landscape for narratives in the history of rhetoric, Royster and Kirsch present four critical terms of engagement—critical imagination, strategic contemplation, social circulation, and globalization—as the foundation for a new analytical model for understanding, interpreting, and evaluating feminist rhetorical inquiry and the study and teaching of rhetoric in general. This model draws directly on the wealth of knowledge and understanding gained from feminist rhetorical practices, especially sensitivity toward meaningfully and respectfully rendering the work, lives, cultures, and traditions of historical and contemporary women in rhetorical scholarship. Proposing ambitious new standards for viewing and valuing excellence in feminist rhetorical practice, Royster and Kirsch advocate an ethos of respect and humility in the analysis of communities and specific rhetorical performances neglected in rhetorical history, recasting rhetorical studies as a global phenomenon rather than a western one. They also reflect on their own personal and professional development as researchers as they highlight innovative feminist research over the past thirty years to articulate how feminist work is changing the field and pointing to the active participation of women in various discourse arenas and to the practices and genres they use. Valuable to new and established scholars of rhetoric, Feminist Rhetorical Practice: New Horizons for Rhetoric, Composition, and Literacy Studies is essential for understanding the theoretical, methodological, and ethical impacts of feminist rhetorical studies on the wider field.

Available Means


Author : Joy S. Ritchie
language : en
Publisher: Univ of Pittsburgh Pr
Release Date : 2001-07-12


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Available Means offers seventy women rhetoricians—from ancient Greece to the twenty-first century—a room of their own for the first time. Editors Joy Ritchie and Kate Ronald carry on the feminist tradition of recovering a previously unarticulated canon of women’s rhetoric.

A Counter History Of Composition


Author : Byron Hawk
language : en
Publisher: University of Pittsburgh Pre
Release Date : 2007


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Contests the assumption that vitalism and contemporary rhetoric represent opposing, disconnected poles in the writing tradition. Vitalism has been historically linked to expressivism and dismissed as innate and unteachable, whereas rhetoric is seen as a rational, teachable method for producing argumentative texts. Hawk calls for the reexamination of current pedagogies to incorporate vitalism and complexity theory and argues for their application in the environments where students write and think today.

Walking And Talking Feminist Rhetorics


Author : Lindal Buchanan
language : en
Publisher: Debolsillo
Release Date : 2010-01


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WALKING AND TALKING FEMINIST RHETORICS: LANDMARK ESSAYS AND CONTROVERSIES GATHERS significant, oft-cited scholarship about feminism and rhetoric into one convenient volume. Essays examine the formation of the vibrant and growing field of feminist rhetoric; feminist historiographic research methods and methodologies; and women's distinct sites, genres, and styles of rhetoric. The book's most innovative and pedagogically useful feature is its presentation of controversies in the form of case studies, each consisting of exchanges between or among scholars about significant questions. These debates have shaped the field's past and continue to influence its present and future directions. The collection provides both students and teachers with an accessible introduction to and comprehensive overview of the intersections of feminisms and rhetorics. In WALKING AND TALKING FEMINIST RHETORICS, Lindal Buchanan and Kathleen J. Ryan "have presented the field of feminist rhetorics . . . with an important and timely collection of primary scholarly work, the first collection of late twentieth and twenty-first century published scholarship in this field that they claim is here to stay. Feminist rhetorics, they assert, is 'no longer a promising possibility or a nascent area of study but has, in fact, arrived.' I agree with them, and I applaud their bold yet careful stance in framing this 'walk through' feminist rhetorics." - Kate Ronald, "Foreword" CONTRIBUTORS include Barbara Biesecker, Patricia Bizzell, Karlyn Kohrs Campbell, Vicki Tolar Collins (Burton), Celeste. M. Condit, Robert Connors, Jane Donawerth, Bonnie J. Dow, Lisa Ede, Jessica Enoch, Sonja K. Foss, Xin Liu Gale, Cheryl Glenn, Cindy. L. Griffin, Susan Jarratt, Nan Johnson, Shirley Wilson Logan, Andrea Lunsford, Carol Mattingly, Roxanne Mountford, Mary Queen, Krista Ratcliffe, Susan Romano, Mary B. Tonn, Hui Wu, and Susan Zaeske. LINDAL BUCHANAN is Assistant Professor of English and Women's Studies at Old Dominion University. KATHLEEN J. RYAN is Associate Professor of English and the Director of Composition at the University of Montana. LAUER SERIES IN RHETORIC AND COMPOSITION Edited by Patricia Sullivan, Catherine Hobbs, Thomas Rickert and Jennifer Bay

Textual Carnivals


Author : Susan Miller
language : en
Publisher: SIU Press
Release Date : 1993


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This is the first book-length study of the status of composition in English studies and the uneasy relationship between composition and literature. Composition studies and institutional histories of English studies have long needed this kind of clarification of the historical and political contexts of composition teaching, research, and administration. Susan Miller argues that composition constitutes a major national industry, citing the four million freshman-level students enrolled in such courses each year, the $40 million annual expenditure for textbooks, and the more than $50 million in teacher salaries. But this concrete magnitude is not expressed in political power within departments. Miller calls on her associates in composition to engage in a persistent critique of the social practices and political agenda of the discipline that have been responsible for its institutional marginalization. Drawing on her own long experience as a composition administrator, teacher, and scholar, as well as on a national survey of composition professionals, Miller argues that composition teachers inadvertently continue to foster the negative myth about composition’s place in the English studies hierarchy by assuming an assigned, self-sacrificial cultural identity. Composition has been regarded as subcollegiate, practical, a "how-to," and has been denied intellectual rigor in order to preserve literature’s presentations of quasi-religious textual ideals. Winner of three major book awards: The Modern Language Association’s Mina P. Shaughnessy Prize The Conference on College Composition and Communication’s Outstanding Book Award The Teachers of Advanced Composition’s W. Ross Winterowd Award