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L Ivrogne Dans La Brousse


Author : Amos Tutuola
language : fr
Publisher: République des Lettres
Release Date : 2014-08-28


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Texte intégral révisé suivi d'une biographie de Amos Tutuola. Roman-culte de la littérature africaine contemporaine, "L'ivrogne dans la brousse" s'inspire des légendes traditionnelles yorubas de l'ancien Nigéria colonial pour relater l'odyssée véritablement homérique du "Père-Des-Dieux-Qui-Peut-Tout-Faire-En-Ce-Monde". Parti chercher son malafoutier défunt dans la Ville-des-Morts, notre héros -- qui se saoûle au vin de palme depuis l'âge de dix ans -- traverse en tous sens une brousse surnaturelle peuplée d'êtres mystérieux. Après force aventures cocasses et épreuves initiatiques dont il triomphe grâce à diverses ruses et gri-gris protecteurs, il regagne enfin son village natal où il pourra découvrir l'extraordinaire prodigalité d'un oeuf. Traduit par Raymond Queneau qui a su rendre en français la magie des contes oraux africains, ce roman d'Amos Tutuola est, selon Alexandre Vialatte, "un ravissement sans fin, le triomphe de l’inattendu, du naïf et du merveilleux, un conte de fées, une tartarinade, une épopée, une somme folklorique".

La Lecture Intertextuelle De L Ivrogne Dans La Brousse D Amos Tutuola


Author : Servilien Ukize
language : en
Publisher:
Release Date : 2009


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Nicht Nur Paris


Author : Ursula Hennigfeld
language : de
Publisher: transcript Verlag
Release Date : 2014-03


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Auch wenn Paris nach wie vor Zentrum des Literaturbetriebs und (Exil-)Wohnsitz vieler Autoren ist, nehmen französischsprachige Romane und Filme im 21. Jahrhundert auch andere, außereuropäische Metropolen und urbane Grenzräume in den Blick. Globalisierung, Gewalt und Migration sind dabei die zentralen Themen. Die Beiträge in diesem Band untersuchen solche metropolitanen und urbanen Räume als Orte neuer und dynamischer Konfrontationen.

Publishing Africa In French


Author : Ruth Bush
language : en
Publisher: Oxford University Press
Release Date : 2016


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It has become commonplace to note that the global French literary marketplace is dominated by Parisian publishing houses and metropolitan kudos. This study probes the aesthetic and political implications of that assertion by revisiting the history of African literature in post-war France. Extensive archival research is combined with literary analysis to investigate the destabilizing impact of decolonization on legitimate notions of language, authorship and literary value. Mapping connections between institutions such as Présence Africaine, Éditions du Seuil, Gallimard and the Association des écrivains de la mer et de l'outre-mer, the author argues that a contested and variegated African literary presence actively shaped the metropolitan publishing scene during this period of transition. In turn, the material aspects of book production and distribution are shown to be inextricably entangled with ongoing debates over the representation of Africa in words. Authors whose work is considered in detail include Abdoulaye Sadji, Cheikh Hamidou Kane, Christine Garnier, Malick Fall, Chinua Achebe and Peter Abrahams. Publishing Africa in French uses an innovative interdisciplinary methodology to contribute fresh insights to current concerns in French studies, African studies, and postcolonial book history.

D Un Conte L Autre D Une G N Ration L Autre


Author : Catherine d' Humières
language : fr
Publisher: Presses Univ Blaise Pascal
Release Date : 2008


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Translation As Stylistic Evolution


Author : Federico M. Federici
language : en
Publisher: Rodopi
Release Date : 2009-01


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Why did Italo Calvino decide to translate Les Fleurs bleues by Raymond Queneau? Was his translation just a way to pay a tribute to one of his models? This study looks at Calvino's translation from a literary and linguistic perspective: Calvino'sI fiori blu is more than a rewriting and a creative translation, as it contributed to a revolution in his own literary language and style. Translating Queneau, Calvino discovered a new fictional voice and explored the potentialities of his native tongue, Italian. In fact Calvino's writings show a visible evolution of poetics and style that occurred rather abruptly in the mid 1960s; this sudden change has long been debated. The radical transformation of his style was affected by several factors: Calvino's new interests in linguistics, in translation theory, and in the act of translation. Translation as Stylistic Evolution analyses several passages in detail and scrutinizes quantitative data obtained by comparing digital versions of the original and Calvino's translation. The results of such assessment of Calvino's text-consistency suggest clear interpretations of the motives behind Calvino's radical and remarkable change of style that are tied to his notion of creative translation.

Komparatistische Hefte


Author :
language : de
Publisher:
Release Date : 1980


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